Hasan Minhaj sits down with one of his creative heroes, comedian/actor John Leguizamo, to talk about his amazing career, what a psycho Christopher Columbus was, and his new film, Bob Trevino Likes It.
Hasan Minhaj: Minhaj was born in Davis — a Northern California city near Sacramento — to Indian Muslim immigrant parents. He stayed local for college, graduating with a degree in political science from the University of California, Davis in 2007. Around the same time, he began performing standup in San Francisco, and relocated to Los Angeles in 2009 for NBC’s Stand-up for Diversity. He appeared on MTV’s hidden camera show Disaster Date before hosting the network’s short-lived series Failosophy, with other TV gigs including State of Georgia, Arrested Development and Getting On.
The rising comedian was hired as a correspondent on The Daily Show, then hosted by Stewart, in 2014. Minhaj landed the role after an audition tape sketch in which he skewered a recent debate about Islam between Bill Maher and Ben Affleck, and became popular as a correspondent alongside the likes of Samantha Bee, Jordan Klepper and Jessica Williams in large part because of his sharp cultural commentary on Muslim and Asian American issues.
Minhaj’s profile was further elevated when he was tapped as the featured performer at the 2017 White House Correspondents Dinner. “Only in America can a first-generation, Indian American Muslim kid get on the stage and make fun of the president,” Minhaj said of Donald Trump, whom he labeled the “liar in chief.”
In 2015, he premiered his one-man off-Broadway show Homecoming King, heavily based on the eccentricities of growing up second-generation Indian Muslim in America, which he later evolved into a 2017 Netflix special of the same name. Minhaj left The Daily Show in 2018 when he scored his own political satire series on Netflix, Patriot Act With Hasan Minhaj, which aired 40 episodes before it was canceled in 2020.
John Leguizamo: Fast-talking and feisty-looking John Leguizamo has continued to impress movie audiences with his versatility: he can play sensitive and naïve young men, such as Johnny in Hangin’ with the Homeboys (1991); cold-blooded killers like Benny Blanco in Carlito’s Way (1993); a heroic Army Green Beret, stopping aerial terrorists in Executive Decision (1996); and drag queen Chi-Chi Rodriguez in To Wong Foo, Thanks for Everything! Julie Newmar (1995). Arguably, not since ill-fated actor and comedian Freddie Prinze starred in the smash TV series Chico and the Man (1974) had a youthful Latino personality had such a powerful impact on critics and fans alike.
John Alberto Leguizamo Peláez was born July 22, 1960, in Bogotá, Colombia, to Luz Marina Peláez and Alberto Rudolfo Leguizamo. He was a child when his family emigrated to the United States. He was raised in Queens, New York, attended New York University and studied under legendary acting coach Lee Strasberg for only one day before Strasberg passed away. The extroverted Leguizamo started working the comedy club circuit in New York and first appeared in front of the cameras in an episode of Miami Vice (1984). His first film appearance was a small part in Mixed Blood (1984), and he had minor roles in Casualties of War (1989) and Die Hard 2 (1990) before playing a liquor store thief who shoots Harrison Ford in Regarding Henry (1991). His career really started to soar after his first-rate performance in the independent film Hangin’ with the Homeboys (1991) as a nervous young teenager from the Bronx out for a night in brightly lit Manhattan with his buddies, facing the career choice of staying in a supermarket or heading off to college and finding out that the girl he loves from afar isn’t quite what he thought she was.
The year 1991 was also memorable for other reasons, as he hit the stage with his show John Leguizamo: Mambo Mouth (1991), in which he portrayed seven different Latino characters. The witty and incisive show was a smash hit and won the Obie and Outer Circle Critics Award, and later was filmed for HBO, where it picked up a CableACE Award. He returned to the stage two years later with another satirical production poking fun at Latino stereotypes titled John Leguizamo: Spic-O-Rama (1993). It played in Chicago and New York, and won the Drama Desk Award and four CableACE Awards.
In 1995 he created and starred in the short-lived TV series House of Buggin’ (1995), an all-Latino-cast comedy variety show featuring hilarious sketches and comedic routines. The show scored two Emmy nominations and received positive reviews from critics, but it was canceled after only one season. The gifted Leguizamo was still keeping busy in films, with key appearances in Super Mario Bros. (1993), Romeo + Juliet (1996) and Spawn (1997). In 1998 he made his Broadway debut in John Leguizamo: Freak (1998), a “demi-semi-quasi-pseudo-autobiographical” one-man show, which was filmed for HBO by Spike Lee.
Utilizing his distinctive vocal talents, he next voiced a pesky rat in Doctor Dolittle (1998) before appearing in the dynamic Spike Lee-directed Summer of Sam (1999) as a guilt-ridden womanizer, as the Genie of The Lamp in the exciting Arabian Nights (2000) and as Henri DE Toulouse Lautrec in the visually spectacular Moulin Rouge! (2001). He also voiced Sid in the animated Ice Age (2002), co-starred alongside Arnold Schwarzenegger in Collateral Damage (2002) and directed and starred in the boxing film Undefeated (2003). Subsequently, Leguizamo starred in the remake of the John Carpenter hit Assault on Precinct 13 (2005) and George A. Romero’s long-awaited fourth “Dead” film, Land of the Dead (2005).
There can be no doubt that the remarkably talented Leguizamo has been a breakthrough performer for the Latino community in mainstream Hollywood, in much the same way that Sidney Poitier crashed through celluloid barriers for African-Americans in the early 1960s. Among his many strengths lies his ability to not take his ethnic background too seriously but also to take pride in his Latino heritage. He has opened many doors for his countrymen. A masterly and accomplished performer, movie audiences await Leguizamo’s next exciting performance.
